Related Paintings of unknow artist :. | Shield from Tenochtitlan | Floral, beautiful classical still life of flowers.071 | Schafer mit seinen Schafen im Schnee | Portrait of Anne Catherine Constance. | A Young girl in a state of undress,wearing a burgundy mantle,and a gold chain and pendant |
Related Artists:
Julius Adam
German 1826-1874
Hendrick van Anthonissen
(29 May 1605, Amsterdam - 12 November 1656, Amsterdam) was a Dutch marine painter. Van Anthonissen was the son of Aert Anthonisz (a.k.a. Aart van Antum) and painted in the style of his brother-in-law and teacher Jan Porcellis and of Jan van Goyen. He is the author of sea paintings in the Hermitage, St. Petersburg and the Prague Gallery, which through their signatures have been ascribed to a mythical Hendrik van Antem. In the 1630's he lived in The Hague, Leiden, and Leiderdorp, but from 1642 he was back in Amsterdam. He is known for beach scenes and seascapes in the manner of Jan Porcellis, sometimes in grisaille. He was the father of the marine painter Arnoldus van Anthonissen.
Jean Delville
Belgian Symbolist Painter, 1867-1953 Belgian painter, decorative artist and writer. He studied at the Academie Royale des Beaux-Arts, Brussels, with Jean-Franeois Portaels and the Belgian painter Joseph Stallaert (1825-1903). Among his fellow students were Eugene Laermans, Victor Rousseau and Victor Horta. From 1887 he exhibited at L Essor, where in 1888 Mother (untraced), which depicts a woman writhing in labour, caused a scandal. Although his drawings of the metallurgists working in the Cockerill factories near Charleroi were naturalistic, from 1887 he veered towards Symbolism: the drawing of Tristan and Isolde (1887; Brussels, Musees Royaux B.-A.), in its lyrical fusion of the two bodies, reveals the influence of Richard Wagner. Circle of the Passions (1889), inspired by Dante Alighieri Divina commedia, was burnt c. 1914; only drawings remain (Brussels, Musees Royaux B.-A.). Jef Lambeaux copied it for his relief Human Passions (1890-1900; Brussels, Parc Cinquantenaire). Delville became associated with Josephin Peladan, went to live in Paris and exhibited at the Salons de la Rose+Croix, created there by Peladan (1892-5). A devoted disciple of Peladan, he had his tragedies performed in Brussels and in 1895 painted his portrait (untraced). He exhibited Dead Orpheus (1893; Brussels, Gillion-Crowet priv. col.), an idealized head, floating on his lyre towards reincarnation, and Angel of Splendour (1894; Brussels, Gillion-Crowet priv. col.), a painting of great subtlety.